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Telephone a novel

Percival Everett
Tuesday Dec 2 at 5.30


FINALIST FOR THE 2021 PULITZER PRIZE IN FICTION
An astonishing new novel of loss and grief from “one of our culture’s preeminent novelists” (Los Angeles Times)

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in a very narrow area—the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon—he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches.

After a field trip to the desert yields nothing more than a colleague with a tenure problem and a student with an unwelcome crush on him, Wells returns home to find his world crumbling. His daughter has lost her edge at chess, she has developed mysterious eye problems, and her memory has lost its grasp. Powerless in the face of his daughter’s slow deterioration, he finds a mysterious note asking for help tucked into the pocket of a jacket he’s ordered off eBay. Desperate for someone to save, he sets off to New Mexico in secret on a quixotic rescue mission.

A deeply affecting story about the lengths to which loss and grief will drive us, Telephone is a Percival Everett novel we should have seen coming all along, one that will shake you to the core as it asks questions about the power of narrative to save.

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Hosted by: Aimee Gwynne Franklyn

Aimee is an independent curator, art consultant and producer based in Santa Fe, New Mexico. Franklyn is the founding director of Doubleplate Arts, a private consultancy focusing on mid 20th century and contemporary art, and Doubleplate Productions, which highlights the work of socially and politically engaged writers, artists and performers who utilize their voices to affect change.


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Botswana: In the Green Season
with Evalyn Bemis
Saturday November 29, 2025 at 5pm


We have enjoyed traveling in several countries in Africa over the past 15 years, from Namibia to Kenya, but have always been there outside of the rainy seasons to allow for maximum viewing of wildlife and ease of getting around. For this trip we deliberately wanted to go during the "summer ", or rainy time in Botswana, in order to see the animals healthy, with lots to eat and many with new life at their sides. In most peoples ' minds, the Kalahari is a ferocious and unforgiving desert. In February, it was awash in green, with large playas of collected rainwater and abundant herds of oryx, impala, and zebras. In turn, that meant resident lion prides looking fat and happy. To the northwest, the famous Okavango Delta was not flooded but still well-watered. We witnessed packs of wild dogs hunting, lions and leopards on the prowl, and birds of every size, shape and color, including big flocks in a heron rookery. -- Evalyn Bemis
   

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Travel Bug
839 Paseo de Peralta
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